Cest la fin d'une ère. Orange Is The New Black, l'une des toutes premières séries originales Netflix, s'arrêtera après sa prochaine saison. Développé par Jenji Kohan (Weeds) en 2013, le Orange is The New Black", "Transparent" Quand la pop culture fait avancer la visibilité des personnes transgenres Depuis le 16 juin, le jeu des "Sims" propose une nouvelle Franchiseof Funko POP Orange is the New Black. POP collection Orange is the New Black has 6 figures 🎉. The first figurine of the collection came out in June 2015, it was the one of George "Pornstache" Mendez while the last figurine put on sale by Funko for this series is Piper Chapman (which came out in June 2015). This franchise, under the licence of Netflix doesn't include (yet) OrangeIs the New Black Brief Information Orange Is the New Black is an American comedy-drama series, created by Jenji Kohan which first aired on Netflix on July 11, 2013. The series, produced by Lionsgate Television, is based on Orange Is the New Black by Piper Kerman, a memoir about her own experiences in prison.Orange is the New Black stars Taylor Schilling as Orangeis the new black - Produit de la categorie Figurines / Statues / Répliques, sous licence Funko POP! Orange is the new black - Retrouvez l'ensemble de nos produits sur www.fandegoodies.com. Se connecter / S'enregistrer. Vous devez Popin Orange is the New Black, a Russian-American inmate who sat high atop the prison social pyramid (and who also ran the kitchen whose . Funko Pop Orange Is the New Black offers some of the first collectibles for the hit Netflix show. It might not be the place a lot of people expect vinyl figures, but when you're one of the most talked-about shows of the 2010s, there are bound to be 2015 lineup includes five main figures, which is on the small side for a show with such a big cast. Leading things is Piper Chapman played by Taylor Schilling, Orange Is the New Black's central character. Others include Alex Laura Prepon, "Crazy Eyes" Uzo Aduba and "Red" Kate Mulgrew. The only male figure is George Mendez Pablo Schreiber, a scheming guard better known as "Pornstache."Hot Topic is the place to find the "Crazy Eyes" exclusive with Suzanne holding a piece of for Orange Is the New Black collectibles on Funko Pop Orange Is the New Black vinyl figures are part of the massive Pop! Television leave a comment below or email us if you notice any missing Pop Orange Is the New Black Figures Checklist245 Piper Chapman 246 Alex Vause 247 Galina "Red" Reznikov 248 Suzanne "Crazy Eyes" Warren 248 Suzanne "Crazy Eyes" Warren - Hot Topic 249 George "Pornstache" MendezFunko Pop Orange Is the New Black Figures Gallery245 Piper ChapmanBuy on Alex VauseBuy on Galina "Red" ReznikovBuy on Suzanne "Crazy Eyes" WarrenBuy on Suzanne "Crazy Eyes" Warren with Pie - Hot TopicBuy on George "Pornstache" MendezBuy on eBay. Ryan Cracknell E-Mail Author Ryan is a former member of The Cardboard Connection Writing Staff. His collecting origins began with winter bike rides to the corner store, tossing a couple of quarters onto the counter and peddling home with a couple packs of O-Pee-Chee hockey in his pocket. Today, he continues to build sets, go after inserts with cool technologies, chase Montreal Expos and finish off his John Jaha master collection. Sam Brooks reviews the final season of Orange is the New Black and finds a fitting end to the series’ tremendous legacy. Light spoilers for the final season of Orange is the New Black. “It was maybe four percent of my life, but it was enough to change absolutely everything, and I have no idea who I am now.” Piper Chapman utters this about halfway through the last season of Orange is the New Black, and it’s a line that distills everything about the show in a few quiet, sad moments. Even Piper, one of the most privileged characters on the show, is irreversibly changed by her 18 months in prison. Even though the show fell out of critical favour in the latter half of its run, a result of some daring formal choices and cultural fatigue, Orange is the New Black has never stopped committing to what it set out to do. It showed us how systems constantly victimise people to maintain themselves, and the ways that the system transforms those victims into tools, into weapons, into resources to be drained. Even better, and more importantly, it gave us one of the most diverse and frankly tremendous casts on television. In its final season, Orange is the New Black doubles down on everything that made people love it in the first place, and even some of the things that made people turn off. Firstly, the tone is a masterclass in balance – this is probably the heaviest season of the show since the second season but there’s enough humour and warmth spread throughout that it never becomes unbearable. Considering that it tackles both ICE America’s much-reviled Immigration and Customs Enforcement service and MeToo – the latter with just the right amount of humour and the closest thing to an acceptable redemptive ending – that’s an achievement. Morello Yael Stone, Red Kate Mulgrew and Nicky Natasha Lyonne are part of the tremendous cast of Orange is the New Black. Secondly, OITNB knows how to use the massive cast it’s accumulated over seven seasons. Characters like Maritza step in and out of the spotlight as needed, and it’s wonderful to see that character develop from a comic relief role – the ditzy image-obsessed Latinx girl – at the start of the show’s run to delivering one of this season’s gut-punches. It’s taken seven seasons for OITNB to realise the kind of gift they were given when they cast Natasha Lyonne, basically whiskey-and-coke in human form, in a relatively small role in season one. Lyonne’s Nicky gets the chance to figure into several plotlines this time around, and the show’s all the better for it – she enlivens whatever scene she’s in without ever stealing focus. On the other hand, the show has never figured out what to do with Alex Vause. Laura Prepon, who plays her, is one of television’s most uniquely inexpressive performers, and the season’s only dud moments are when she unnecessarily takes the spotlight. We’re lucky that most of her scenes are with Taylor Schilling, delivering an underrated, high-wire performance as Piper Chapman, but at times the gulf of humanity between the actors makes it difficult to appreciate the romance. Which brings us to the elephant, or the Trojan horse in the room Piper. One of the hardest things that OITNB has had to do in the course of its seven seasons is figure out how to use its central character. On one hand, she could be one of the most irritating people on the show a white woman from an upper-middle-class family who is only nominally aware of her privilege. On the other hand, she’s a necessary gateway into the show. Piper Chapman, the Trojan horse of Orange is the New Black. When Orange is the New Black began in 2013, it was at the forefront of many conversations about race, gender, sexuality, privilege and how all those things come together at an intersection with no traffic lights. Piper was, for the majority of the audience, the gateway into these conversations. The fact is, if you’re watching this show, and you have a Netflix subscription and 13 spare hours a year to spend watching it, you and your privilege are probably closer to Piper than you’d like to admit. The past two seasons have done an incredible job of de-centring and re-centring Piper as the narrative requires. These final episodes see Piper learning how to live her life after prison, the constant battles against a system whose aggressions leave scars well after her sentence. The show’s already shown us what happens to people less privileged than Piper after they leave prison Taystee doesn’t know how to live outside the system so intentionally reoffends, Aleida ends up dealing drugs out of desperation. By showing us Piper’s struggles to keep a part-time job and attend constant parole meetings, while trying to keep up a relationship with her still-incarcerated wife, it’s the final twist of the knife. The system’s damage is like an oil spill it doesn’t care about your privilege, it’ll contaminate you anyway. After 91 episodes, it’s inarguable that Orange is the New Black is one of the most significant shows of our time. It changed the way we watched television more than any other show of the streaming era, and in an era where streaming giants seem to be cutting off series at the two-or-three season mark in order to achieve maximum profits, that we got seven seasons of a show like it seems a miracle. It was never a subtle show, but subtlety is overrated – when you’re hitting marks as deeply necessary as OITNB is, you better make sure you’re leaving a bruise. Laura Gomez as Blanca Flores in Orange is the New Black. And while, yes, Piper was our entry into this world, it’s not her who leaves the biggest impact. When I look back on seven seasons and its most stirring moments, Piper barely figures into it. The show was, at its best, about hitting you with human moments that make its themes resonate. Suzanne asking, quietly, “How come everybody calls me Crazy Eyes?”. Nicky’s tragic, heavy-eyed relapse. Blanca standing on the table, pissing herself in peaceful protest. The joyous swim in the lake – a literal oasis of happiness in a desert of shit. Poussey whispering, pleadingly, “I can’t breathe.” This season has those aplenty, some happy, some heart wrenching, many bittersweet. But the moment that sticks with me? Taystee, played so tremendously by Danielle Brooks all these years, simply looking at a list of the mission statements of the prison she’s been doomed to spend her life in. And silently ticking off all the ways that the prison has failed them, and even worse, failed her. You can watch all seven seasons of Orange is the New Black on Netflix. Image Source Getty / Eugene Gologursky If you're a fan of Orange Is the New Black, then you know by now that it's based on the real experiences of Piper Kerman. Kerman, known as Piper Chapman and played by Taylor Schilling on the show, published a bestselling memoir of the same name. While Kerman says the show, headed by Weeds creator Jenji Kohan, is not a docudrama whatsoever, her real-life experience does come through in the series. Obviously, the show has diverted a lot since we've been through five seasons now. The Crime After college, the real Piper Kerman fell for a woman caught up in an international drug ring. In the book, she calls her Nora, and if you watch the show, you know her as Alex played by Laura Prepon. The real Piper smuggled $10,000 from Chicago to Brussels, Belgium, during her time with Nora, and 10 years later, the law caught up with her. In a 2010 interview with NPR, Kerman said that while she had long harboured resentment toward Nora, during her time in prison, she accepted full responsibility for the drug-ring days. She said, "It was a reckless and selfish time in my life." Image Source Netflix The Author Fiancé Just like in the show, Kerman had a fiancé named Larry Larry Smith, who is a writer, who was by her side during her incarceration. In the show, Larry, played by Jason Biggs, writes a Modern Love article titled "One Sentence, Two Prisoners" in season one. The real Larry's Modern Love piece was published on March 25, 2010, with the title "A Life to Live, This Side of the Bars." In the real column, Larry recalls how he and Kerman reacted when her past came back to haunt her "To say she was freaked out and wondering if I would stick around for the messes sure to come is an understatement. To say that it never once crossed my mind to bail on her is simply a statement of fact." In her own memoir, Kerman said this of the column "Even here, without him, I couldn't imagine any sweeter Christmas present." Kerman wed Smith in 2006, and they're still married. Obviously, on the show, Larry has been long gone, having left Piper for her best friend. Image Source Netflix The Prison Rules In the Orange Is the New Black book, Kerman wrote about the official and unofficial rules of prison life, many of which are played out in the series "I had learned a lot since arriving in prison five months ago how to clean house using maxipads, how to wire a light fixture, how to discern whether a duo were best friends or girlfriends, when to curse someone in Spanish, knowing the difference between "feelin' it" good and "feelin' some kinda way" bad, the fastest way to calculate someone's good time, how to spot a commissary ho a mile away, and how to tell which guards were players and which guards were noth-in' nice. I even mastered a recipe from the prison's culinary canon cheesecake." In her NPR interview, Kerman also discussed how race played a part in how people organised in prison. But she also explained that as time goes on, the "tribal" organisation becomes looser "While initially people might sort of gravitate toward the people who are the same color of them, I think that matters less and less the longer you're there." Image Source Netflix Kerman's husband's real New York Times column also touched on the strict rules that play out in the show's many visitation scenes. He wrote "No one else in my life knew the reality of our circumstances, like why buying your lady a Diet Coke from the vending machine in the visiting room because our women weren't allowed to touch money was among the greatest acts of love you were capable of performing." The Cast of Characters One of the most distinctive aspects of the Netflix show is its diverse ensemble cast. While many are purely fictional, others are adapted from people Kerman actually came across in prison. While show writers created the backstory for Sophia, played by transgender actress Laverne Cox, there was a trans woman living next door to Kerman in prison, whom she calls Vanessa in the book. Also, Kerman dedicated her book to the Red character, whom she calls "Pop" in the memoir. In the book, she recalls Pop saying "Listen, honey, I know you just got here, so I know that you don't understand what's what. I'm gonna tell you this once. There's something here called 'inciting a riot,' and that kind of shit you're talking about . . . you can get in big trouble for that . . . so take a tip from me, and watch what you say." Finally, the true nature of the relationships are also captured. "A lot of folks sort of ask salacious questions about the romantic relationships between women," Kerman said in 2010, "but I think the dominant paradigm of women's relationships in prison is the mother-daughter relationship." Image Source Netflix The Ex Kerman gave a TED talk in 2013 about the prison system, peppering it with details about her own incarceration. In it, Kerman shared bits about people who inspired characters on the show — like the ex-lover who got her into the drug trade. At the seven-minute mark of the video below, Kerman shares how confronting her ex helped her confront her past. The SHU Season two begins with Piper serving time in the SHU for attacking Pennsatucky, but in real life, Kerman never had solitary confinement. She did, however, testify before the Senate in 2014 on behalf of eliminating the use of solitary as punishment. Furlough A big season two plot point for Piper is how she gets furlough when she finds out her grandmother is dying. In the show, she misses her death but still gets to head home for a couple of days. In real life, Kerman also lost her grandmother but didn't get furlough or to say goodbye. She told EW in a 2010 interview "It's devastating when you confront how selfish actions you've taken are preventing you from being there for the people who need you the most. That's a terrible, terrible thing." Image Source Netflix — Additional reporting by Shannon Vestal Orange Is the New Black season 7 Release date, cast, trailer, plot and everything you need to know Netflix a annoncé que la saison 7 d’Orange is the new black, prévue pour 2019, sera la dernière. Elle deviendra tout de même la plus longue série que la plateforme ait portée à ce jour. Les actrices d’Orange is the new black sont tristes, et nous aussi. Dans une vidéo d’une minute diffusée par le compte officiel de la série de Netflix sur Twitter, elles annoncent que la prochaine saison d’Orange is the new black OITNB sera la dernière. La saison 7 est attendue pour 2019, probablement à l’été comme toutes les saisons précédentes. Warning This may make you cry. The Final Season, 2019. OITNB Orange Is the New… OITNB October 17, 2018 La série la plus longue de Netflix La plateforme de SVOD a pris une décision attendue mais non moins compliquée. Voici quelques années que certains spectateurs et spectatrices trouvaient qu’elle était en perte de vitesse, notamment à cause de l’obligation contractuelle de la plateforme américaine de sortir 13 épisodes à chaque saison, ce qui pouvait provoquer des longueurs. Avec sept saison, Orange is the new black devient la série la plus longue jamais portée par la plateforme de SVOD américaine — House of Cards prenant fin en novembre 2018 après 6 saisons. Orange is the new black. Netflix À la suite du sixième volet diffusé en juillet 2018, la rédaction de Numerama se demandait comment Netflix allait pouvoir continuer à faire vivre sa série historique, alors que la plateforme n’avait pas l’expérience des chaînes traditionnelles, habituées à renouveler leurs séries et intrigues pour qu’elles tiennent sur une décennie. Netflix veut plus de productions vraiment à lui Orange is the new black fait partie d’un petit groupe de séries diffusées en exclusivité sur Netflix mais qui sont produites et appartiennent à une société tierce Lionsgate. Dans sa lettre aux actionnaires du 16 octobre 2018, Netflix explique vouloir se focaliser sur les programmes qu’il produit lui-même sans intermédiaire, comme Stranger Things ou Big Mouth. Nous voulons réduire notre dépendance vis à vis des studios extérieurs », écrivait le PDG Reed Hastings. Et la diversité ? En annulant OITNB en 2019, la multinationale américaine de Reed Hastings va également être confrontée à de nouveaux enjeux de diversité dans ses séries. Netflix n’est pas qu’un diffuseur il produit aujourd’hui énormément de contenus et a conscience de sa place, et de sa responsabilité en tant qu’émetteur de culture qui influence les consciences. Avec une série portée par une femme, Jenji Kohan, et casting quasi uniquement féminin principalement des femmes de couleur Netflix pouvait utiliser OITNB comme un étendard, un modèle de diversité et d’ouverture. Or comme nous l’avons montré dans une enquête de data journalisme, Netflix reste une House of Men » lorsqu’il s’agit de femmes qui occupent des postes à responsabilités dans les séries, que ce soit au scénario ou à la réalisation. À partir de 2019, cela se verra encore plus.

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